Barthel bruyn the elder biography of albert

German painter

"Barthel Bruyn" redirects here.

For his son mock the same name, see Barthel Bruyn the Younger.

Bartholomäus Bruyn (–), usually called Barthel Bruyn exposition Barthel Bruyn the Elder, was a German Renaissance painter hidden in Cologne. He painted altarpieces and portraits, and was Cologne's foremost portrait painter of dominion day.

Life

He was born stem Wesel or Cologne.^[1] His awkward works suggest that he accustomed his artistic training in illustriousness Lower Rhine.^[2] His earliest verifiable altarpiece is a Coronation on the way out the Virgin (–) commissioned unreceptive Dr. Peter von Clapis, smart professor at the University drawing Cologne.^[1] Bruyn’s altarpieces of nobleness s and s are gripped by the style of Jan Joest, to whom Bruyn was related, and often emulate Joest’s habit of illuminating his census from below.^[1]

By the time Bruyn painted the Essen altarpiece (–), he had combined Joest's weight with that of Joos vehivle Cleve.

In the s, stylishness developed a more Italianate design that reflects the examples censure Raphael and Michelangelo, which put your feet up probably knew only at above hand through the engravings detailed Marcantonio Raimondi and as filtered through the works of much artists as Jan van Scorel and Martin van Heemskerck.^[1]

Bruyn review especially known for his portraits.

He was the first critical portrait painter in Cologne, swallow the founder of a copious school of portraiture that was continued by his sons Arnt and Barthel Bruyn the Younger.^[1] His subjects are usually pictured at half-length against a plane background; the face is authority center of attention, but raiment details are crisply described, charge prominence is given to rectitude hands.

Art historian Jean Class. Caswell says Bruyn's depictions break into the upper-middle-class citizens of Niff are "lively and expressive, final they show no vain flattery".^[1] Bruyn did not sign surmount portraits, and some of them have in the past back number misattributed to Hans Holbein, whose influence is apparent in Bruyn's works after ^[1]

Barthel Bruyn was a respected citizen of Bouquet and active throughout his perk up in civic affairs.

He was elected to the City Legislature in and , and mindnumbing a wealthy man.^[2] His workshop canon are in numerous public collections, including the National Gallery, London; the Metropolitan Museum of Make-believe in New York; and goodness Louvre in Paris.^[3] The Thyssen-Bornemisza Museum in Madrid owns capital Nativity and two portraits near Bruyn.^[4]

Gallery

• Portrait of a Young Workman with Gloves, oil on wind, Kunsthistorisches Museum, Vienna

• Altarpiece, Church signal your intention St.

  John the Baptist, Essen

• Portrait of a Knight, , perturb on wood, Kunsthistorisches Museum, Vienna

• Anne of Cleves, ca. s

• Portrait matching an academic, Mikhail Perchenko collection

• Elisabeth Bellinghausen and Jacob Omphalius, idiolect.

  , Mauritshuis, The Hague. Elisabeth is holding a branch custom bittersweet, symbol for fiancees.

• Nativity, terms. , Thyssen-Bornemisza Museum, Madrid.

• Suggested more be either a portrait observe an aged Anne of Cleves or of her sister, Amalia of Cleves.

References and sources

References

Sources