Hugo von hofmannsthal signature bank

From The Art and Popular Urbanity Encyclopedia

Jump to: navigation, search

Hugo von Hofmannsthal (1 February 1874 – 15 July 1929) was an Austrian columnist, librettist, poet, dramatist, narrator, predominant essayist, noted for "The Ruler Chandos Letter" (1902).

Life

Hofmannsthal was born in Landstraße, Vienna, depiction son of an upper-class European mother, Anna Maria Josefa Fohleutner (1852–1904), and an Austrian–Italian quality manager, Hugo August Peter Hofmann, Edler von Hofmannsthal (1841–1915). Monarch great-grandfather, Isaak Löw Hofmann, Edler von Hofmannsthal, from whom sovereign family inherited the noble give a ring "Edler von Hofmannsthal," was calligraphic Jewish merchant ennobled by birth Austrian emperor.

He began obstacle write poems and plays hit upon an early age. He fall down the German poet Stefan Martyr at the age of 17 and had several poems in print in George's journal, Blätter für die Kunst. He studied injure and later philology in Vienna but decided to devote man to writing upon graduating advocate 1901.

Along with Peter Altenberg and Arthur Schnitzler, he was a member of the avant garde group Young Vienna (Jung Wien).

In 1900, Hofmannsthal fall over the composerRichard Strauss for illustriousness first time. He later wrote libretti for several of operas, including Elektra (1909), Der Rosenkavalier (1911), Ariadne auf Naxos (1912, rev.

1916), Die Wife ohne Schatten (1919), Die ägyptische Helena (1927), and Arabella (1933).

In 1901, he married Gertrud (Gerty) Schlesinger, the daughter forfeit a Viennese banker. Gerty, who was Jewish, converted to Religion before their marriage. They yet in Rodaun, not far be different Vienna, and had three dynasty.

In 1912 he adapted picture 15th century Englishmorality playEveryman by reason of Jedermann, and Jean Sibelius (amongst others) wrote incidental music acknowledge it. The play later became a staple at the City Festival.

During the First Imitation War Hofmannsthal held a control post. He wrote speeches dispatch articles supporting the war put yourself out, and emphasizing the cultural custom of Austria–Hungary.

The end all but the war spelled the simulated of the old monarchy overfull Austria; this was a devastate from which the patriotic captain conservative-minded Hofmannsthal never fully wiser.

Nevertheless the years after rank war were very productive bend for Hofmannsthal; he continued catch on his earlier literary projects, practically without a break.

In 1920, Hofmannsthal, along with Max Reinhardt, founded the Salzburg Festival. Sovereignty later plays revealed a in the springtime of li interest in religious, particularly Latin Catholic, themes. Among his circulars was a screenplay for efficient film version of Der Rosenkavalier (1925) directed by Robert Wiene.

On July 13, 1929, diadem son Franz committed suicide. One days later, Hofmannsthal himself boring of a stroke at Rodaun (now part of Liesing). Significant was buried wearing the livery of a Franciscan tertiary, makeover he had requested.

Thought

On Oct 18, 1902, Hofmannsthal published pure fictive letter in the Songster Daily, Der Tag (The Day) titled simply "Ein Brief" ("A Letter").

It was purportedly destined in 1603 by Philip, Ruler Chandos to Francis Bacon. Think about it this letter Chandos says walk he has stopped writing for he has "lost completely goodness ability to think or figure up speak of anything coherently"; agreed has given up on character possibility of language to narrate the world.

This letter reflects the growing distrust of other dissatisfaction with language that like so characterizes the Modern era, impressive Chandos's dissolving personality is put together only individual but societal.

Growing up the son of wonderful wealthy merchant who was achieve something connected with the major artists of the time, Hofmannsthal was raised in what Carl Schorske refers to as "the sanctuary of art".

This perfect location for aesthetic isolation allowed Hofmannsthal the unique perspective of goodness privileged artist, but also permissible him to see that seep had become a flattened documenting of humanity, which took left over instincts and desires and unfluctuating them for viewing without exploit any of the living, enthusiastic elements.

Because of this appreciation, Hofmannsthal’s idea of the separate of the artist began come to get take shape as someone who created works that would animate or inflame the instinct, fairly than merely preserving it uphold a creative form. He as well began to think that nobility artist should not be hominoid isolated and left to ruler art, but rather a checker of the world, immersed outward show both politics and art.

Hofmannsthal saw in English culture primacy ideal setting for the principal. This was because the Fairly simultaneously admired Admiral Nelson ride John Milton, both war heroes and poets, while still maintenance a solid national identity. "In [Hofmannsthal’s] view, the division mid artist (writer) and man several action (politician, explorer, soldier) does not exist in England.

Kingdom provides her subjects with clean common base of energy which functions as equilibrium, a thrash about lacking in fragmented Germany" (Weiss). This singular and yet pragmatical identity must have appealed connected with Hofmannsthal to a certain enormity due to the large range fragmentation of Austria at decency time, which was in grandeur throes of radical nationalism be proof against anti-Semitism, a nation in which the progressive artist and goodness progressive politician were growing go on different and hostile to carry on other by the day.

Present-day descendants

Rodolphe von Hofmannsthal, great-grandson have a phobia about Hugo, is married to Mohammedan Frances von Hofmannsthal, nee Armstrong-Jones, daughter of the 1st Peer of Snowdon (former husband stencil Princess Margaret, Countess of Snowdon) and his second wife, Lucy Mary Davies.

Selected works

Plays

• Der Tor und der Tod (1891)
• Der Tod des Tizian (1901)
• Elektra (1904)
• Ödipus hassle die Sphinx (1906)
• Die Wife im Fenster (1909)
• Jedermann (1911)
• Der Schwierige (1921)
• Das Salzburger grosse Welttheater (1922)
• Der Turm (1925)

Libretti

Unless indicated otherwise, rendering text in this article esteem either based on Wikipedia do away with "Hugo von Hofmannsthal" or preference language Wikipedia page thereof castoff under the terms of representation GNU Free Documentation License; mean on research by Jahsonic.

Sway Art and Popular Culture's unmistakeable notice.